Lauren Elkin on William Forsythe’s Conceptual Art

William Forsythe
William Forsythe

“Reading Julien Offray de la Mettrie’s L’Homme machine (Man a Machine, 1748), in 1978 the philosopher Karl Popper suggested that ‘there may be no clear distinction between living matter and dead matter’; that man ‘is a computer’. William Forsythe’s ‘Choreographic Objects’ puts this thesis to the test in the vaulted space of an aircraft hangar that houses Gagosian Le Bourget. What Forsythe calls ‘choreographic objects’ are the installations, films and sculptures that he’s been creating since 1989, which lie at the intersection of dance and the visual arts. Exploring choreography, technology and space, his work brings us closer to understanding our own bodies.”

— Lauren Elkin, Frieze

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