The London Beckett Seminar at the Institute of English Studies will bring together national and international scholars, researchers and postgraduates to discuss issues arising from the prose, theatre and poetry of Samuel Beckett that pertain to aspects of literary, philosophical and historical analysis with particular attention to translation studies, performance and practice, digital humanities and visual cultures. Inherently interdisciplinary in approach, the seminar will establish a vibrant research network for postgraduate students, early-career researchers, and established academics on a national and international level.Read More
Art on a Postcard raises money for The Hepatitis C Trust through an annual secret postcard auction and ‘postcard lotteries’ which occur throughout the year. In recent years, work has been donated from established artists such as Peter Blake, Damien Hirst, Harland Miller, Gavin Turk, Rachel Howard, Gilbert and George, Polly Morgan, John Wragg RA, Stephen Chambers RA, Micheal Craig-Martin and Cecily Brown and emerging talent such as David Shillinglaw, Hayden Kays and Daisy Cook as well as urban artists, Ben Eine, Pure Evil and Inkie and photographers Dougie Wallace and Rankin. The project was founded by Gemma Peppé.
“I’m delighted to be part of this year’s The Hepatitis C Trust’s Art on a Postcard Secret Auction. While the secret auction democratises art, funds raised will help The Trust in its work towards ridding the county of hepatitis C, a killer disease which disproportionally affects an underprivileged community.”
— Grayson Perry
I caught up with some of this year’s artists to ask them about their involvement with the cause, and how they met the challenge set by the project.Read More
Christopher John Müller on his new book and his English translation of Günther Anders, a contemporary of Adorno, Benjamin, and Arendt
How did you come to discover the work of Günther Anders?
I was alerted to a translated essay from the 1930s called the ‘Pathology of Freedom’, whilst writing my PhD thesis in 2012. I had never heard of its author, Günther Stern, and was captivated by the work, a brilliant existential analysis of the experience of freedom.
When looking up the author, I was surprised to learn that he was connected to canonical authors and thinkers I liked to study – Stern (who assumed the pseudonym Anders) was the first husband of Hannah Arendt, a cousin of Walter Benjamin, a student of Husserl and Heidegger, friends with Ernst Bloch and Herbert Marcuse, and connected to Berthold Brecht, Georg Lukács, Literary Modernists, the Frankfurt School thinkers – the list goes on and on and on.Read More
How did you come to write The Visitor’s Book?
I was a co-beneficiary of the estates of the artists Richard ‘Dicky’ Chopping (1917-2008) and his partner Denis Wirth-Miller (1915-2010). I had been a close friend of both for thirty years having been taught by Dicky at the Royal College of Art.
After their deaths, on entering their discarded studios behind their estuary-side home in Wivenhoe, Essex, I was astounded to find pile upon pile of canvases, sketchbooks and correspondence.
A director of the Tate visited the studio and explained that these articles were important – maybe one of the most significant post-war British art archives to be discovered in decades and asked if I would put together the structure of a catalogue for a potential show. This soon grew beyond a catalogue. Representatives of the Estate of Francis Bacon suggested that, with so much unseen material, my project should become a book.Read More