Month: June 2016

John Coltrane: Becoming “a force for good”

“I want to be a force for real good. In other words. I know that there are bad forces, forces that bring suffering to others and misery to the world, but I want to be the opposite force. I want to be the force which is truly for good”

— John Coltrane

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Samuel Beckett on Distress

“Yes, [my texts] deal with distress. Some people object to this in my writing. At a party an English intellectual—so-called—asked me why I write always about distress. As if it were perverse to do so! He wanted to know if my father had beaten me or my mother had run away from home to give me an unhappy childhood. I told him no, that I had had a very happy childhood. Then he thought me more perverse than ever. I left the party as soon as possible and got into a taxi. On the glass partition between me and the driver were three signs: one asked for help for the blind, another help for orphans, and the third for relief for the war refugees. One does not have to look for distress. It is screaming at you even in the taxis of London.”

— Samuel Beckett

Source: Tom Driver, ‘Beckett by the Madeleine’, Columbia University Forum, 4:3 (1961).

David Lynch’s Influence on Kubrick’s The Shining

“Among Eraserhead’s many admirers was none other than Stanley Kubrick, who appropriated a great deal from Lynch’s film for his own horror masterpiece, 1980’s The Shining. The latter uses the same relentless background noise and lingering shots to build a sense of dread that eventually crescendos into a fever dream of madness. Even The Shining’s famous “Room 237” is a not-so-subtle allusion to Spencer’s sultry neighbor’s apartment room 27. In The Shining as in Eraserhead, sex masquerades as an escape but ultimately propels its central character further into his downward spiral.”

Source: The Atlantic.