About the Book
What do Socrates, Hypatia, Giordano Bruno, Thomas More, and Jan Patocka have in common? First, they were all faced one day with the most difficult of choices: stay faithful to your ideas and die or renounce them and stay alive. Second, they all chose to die. Their spectacular deaths have become not only an integral part of their biographies, but are also inseparable from their work. A “death for ideas” is a piece of philosophical work in its own right; Socrates may have never written a line, but his death is one of the greatest philosophical best-sellers of all time.
Dying for Ideas explores the limit-situation in which philosophers find themselves when the only means of persuasion they can use is their own dying bodies and the public spectacle of their death. The book tells the story of the philosopher’s encounter with death as seen from several angles: the tradition of philosophy as an art of living; the body as the site of self-transcending; death as a classical philosophical topic; taming death and self-fashioning; finally, the philosophers’ scapegoating and their live performance of a martyr’s death, followed by apotheosis and disappearance into myth.
While rooted in the history of philosophy, Dying for Ideas is an exercise in breaking disciplinary boundaries. This is a book about Socrates and Heidegger, but also about Gandhi’s “fasting unto death” and self-immolation; about Girard and Passolini, and self-fashioning and the art of the essay.
“One of the greatest merits of Costica Bradatan’s book is that it explores a cluster of topics that represent the untold, the unuttered, almost the unutterable in contemporary philosophy: death, dying, sacrifice and self-sacrifice. Ours is a culture of ‘happy endings’ and, in this respect, most philosophers of today are the spokespersons of their time. Bradatan is a dissenter. His book approaches death head-on. Indeed, what makes this project fascinating is the fact that, while the book purports to be about ‘dying for an idea,’ it in fact sings praise to life. Death, in Bradatan’s view, is something that brings new meaning to life, a renewed intensity to the act of living.”
– Simon Critchley, New School for Social Research, New York, USA.
“A thoroughly stimulating exploration of philosophers and their courageous deaths, pushing us to reflect on the fascinating question: what is philosophy for?”
– Sarah Bakewell, author of How to Live: A Life of Montaigne
“Written with verve and humor, at once deeply learned and wickedly ironic, this book explores how philosophy is not only an art of living but also an art of dying – and dying well! Original and irreverent!”
– Seyla Benhabib, Eugene Meyer Professor for Political Science and Philosophy, Yale University, USA
For more, visit the Bloomsbury website.